Friday, March 20, 2009

Bizzilions of Hours

 
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I am working on my ten bizzilion hours of floor time.

It made me recall the years of art school. Students in the Fine Art department were required to rack up studio hours. Drawing, three days per week, minimum, all afternoon, three or four hour sessions in the drawing studio. It all adds up to ten bizzilion hours. (This is why I did not major in math..) Life drawing from the model. There were "critiques" now and then, but for the most part it was just do a drawing, do another drawing, do another, etc. We used newsprint and did so much of this that self criticism fell away from sheer numbness, and the time was a blur after awhile. It just became a meditation. One could see, without judgment, that improvement was taking place, but one was too tired to care. This...is training. It is exactly like what a dancer needs to do. They must learn to walk before someone lets them loose to throw boleos around.

Funny how it all reminds me of tango.

Right now: Those studio hours.

Training, quiet mind, lots of time. Just one dance after another. And also, dealing with neurotic people in the business and just stepping very carefully over the mine field which is art, and dance. Also, being too tired to care.

Today in the studio those hours of drawing (which must be maintained) are serving me well. With quiet mind, not judgment, I can let go of perspective and line quality and other formalities and just let the thing go to serve a vision which is sometimes just a whiff of life, a little glance sideways into life, and a view through a little window into the world behind the world.


At night, at the milongas, I just put in the miles, check in with posture, relaxation, my partner, try to confront these things in much the way I confront that white paper in the studio. Quiet mind. Then go.

5 comments:

Mari said...

Thank you for this post. I hadn't remembered all that time in art classes (and after art classes) just drawing, and drawing, and drawing - without judgment. Just to keep the hands doing what they need to be doing.

It is like tango. Even dancing my awkward, clumsy tango, my body is learning with the hours put in on the milonga floor what it needs to be doing - learning from, but ultimately letting of, the constant chatter of self-judgment.

Michael Murray said...

interesting you should mention this now :)... I'm just reading Malcolm Gladwell's "Outliers" where he posits a few interesting ideas:

1. virtually anyone who has mastered anything has put in over 10,000 hours of time practicing/learning the craft. He finds this to be almost immutable across disciplines: art, computers, music, sports etc.

2. the succesful people are indeed talented but mostly just work waaay harder on whatever it is they love than the averag person would :).

best - Michael

Johanna said...

Putting in the hours ALWAYS shows. Great stuff here. Both artistically and uh, tangoically...

Elizabeth said...

Thanks Mari, It just occurred to me about those many hours, and the fact that it is about learning the basics very well before getting all fancy. I am going to take a beginner workshop with Alicia Pons in a couple of weeks...just to ratchet back to the basics. Can't wait!
Michael:
I am currently interested in Gladwell. Have you seen the interview on Charlie Rose (you can find it and watch on your computer) He is a very interesting guy. I agree about it being about the work.
Thanks Johanna, for kind words about the art.
XO to all,
E

me said...

I love this post. I love the discipline, to become good at something.