Thursday, February 16, 2012

Words and the Wordless

Shall I write about this yet?  When something is very deep and powerful it seems as though words are not enough, or can be wrong, or can be destructive to delicate truth.

This weekend I learned more about tango/expression through the body.
Two things. First a workshop on followers technique, and second, the movie Pina. If you don't know it yet, the movie is created by Wim Wenders and the Tanztheater Wuppertal, in Germany.  Pina Bausch was artistic director and choreographer.  

Both events shared this truth:
That the body can convey what words and narrative cannot.
Music is us.  We listened in the tango followers workshop,  Repeatedly, extensively, and inwardly to one piece of music.  First we did this alone, with eyes closed. and later with a partner, not navigating, but in place, just weight shift. There were a lot of raw emotions and some people could not be there. They needed to sit out, or leave.  They were given prior warning, and told that the class would be intense, and not to worry about needing to back off.  I am not into crazy therapies or jerking people around.  But consider....all that happened was that people were asked to address, really engage, the music, then each other....

Then, the weekend, the normal tango drama only more.  I go out to dance as recreation, attending to the meaning of re-create.  Re creating self, and searching for other.  People bring all the stuff.  We all know the people who only bring search for sex or romantic love without attachment.  Only.  Or Need. Or Nurture.  Don Juan.  Victim.  Siren.  Mother.  In the workshops we were asked to have a longer list, to search for archetypes.  It was damned interesting and deep.  It will take a long time to explore.  There are lots of things in us.  Lots of us in us.  More.  Dance is a way of finding.  There was much more to the workshop.  Technique, fun, the way to use the body to express.

The dancers in the movie were putting it all on the line, body and soul.  They have to.  But we as social dancers can do as much or little as we decide.  But our increased awareness puts us closer to each other and to the music.  What are we there for anyway?  The dancers were exploring un-named emotions.  We have those too.  Complex mixtures, always changing.  We can check in with ourselves and our partners wordlessly.  Trust was a theme I saw in the movie.  What if not trust?  What do we have in our friends and partners if trust is absent.  Hard lesson we all have learned in life.  How to guard the heart and still keep it open.  (Damned be those who rob us of that.....damned be ourselves if we allow it.)

We don't always need to deal with all of this in our tango, but just to learn to be aware, to observe without critique, that which inhabits us today.  Sometimes hearts need to rest. Often the fun friend is the one we dance for and with.  And we should, as partners respect that too.  We can only do that by learning how to recognize the wordless world. She said with words.....

6 comments:

Mari Johnson said...

Such a compelling post. For different reasons, and in different circumstances, we seem to be on similar paths and asking similar questions. Sounds like an incredible workshop. I've attended one similar to that where people had to sit out or leave because it was too uncomfortable. It renders you so vulnerable to stay engaged in that space. Thank you for the post - nice to know there are others asking the questions. (And I really need to see Pina - haven't yet.) un grande abrazo.

cindy said...

lovely~ thank you

Elizabeth Brinton said...

Thanks Mari. I honestly am changed from the experience of Pina. I will be interested in your take on it.
xo
E

Christine--RHP said...

very curious about this workshop--sounds like a partner exercise I have done in a (non dance) workshop: being present eye gazing with another person. I can only imagine how intense it would have been had there been music...
yes, I agree, dance is a way of seeking and finding. And sharing. Driving home from the milonga this weekend a lot of conversation was about what is revealed in a tanda: a person's 'vibe' carries so much of them, how an embrace speaks volumes of who they are and how much they are willing to share.

Elizabeth Brinton said...

Christine,
Yes, the workshop was intense. You are right about "vibe" and what it says. Even a lack of willingness to share is a bit of information that can be absorbed and responded to...
I think this type of class is useful for North Americans and Europeans who are new to embrace and to being O.K. with the wordless conversation. I just feel lucky to be in this world now. Thanks for reading.
E

Tangocommuter said...

It can take such a while to recognise and trust that intimacy. Workshops like that might well be helpful, but I've been through similar practices in Buenos Aires, so maybe we aren't alone in needing them! Of course, there dancers are protected by the cabeceo, so trust might come easier. Beginners often have to avoid intimacy: it's hard enough dancing at the start, and having to relate to a partner's physical presence as well might be too much, but it's not only beginners who appear to dance as they do to avoid intimacy... & on the other side there are people who look as if they are indifferent to intimacy, even bored by it, which is worse! Going back to quiet intimacy between people can't be bad. Ricardo Vidort said something like if you can't completely commit to a dance, don't do it.

Glad you enjoyed Pina, and congratulations on the nice clean website. It looks great! Hope it will be very useful.